There is a tiger roaming loose keeping everyone indoors. At least it’s a good excuse. Through the journeys of 5 souls trapped by individual tragedies of varying scope with absurd consequences we come to learn that both the actual and metaphorical tigers have been just been waiting for someone to end the misery:
Zack: “I stare into the tiger’s big yellow eyes and I swear it’s like he wants me to shoot him. He’s tired. And alone. And lost. And I think: Yeah, sure this tiger’s dangerous—- but if you really think about it, who isn’t?
In the course of Kim Rosenstock’s poignant, disarming and hilarious dialogue we meet our protagonist:
Sherry: “This is the story of how I stopped being a total disaster and got my life on track and did not let overwhelming feelings of anxiousness and loneliness and uselessness just, like, totally eat my brain.”
Sherry is a recent art therapy graduate who hasn’t been aggressive enough to land the job that takes her out of her mother’s home. Unseen Mom communicates with Sherry by calling the downstairs house phone from her self-imposed upstairs prison. When Dad disappeared, Mom grew sadder, and fatter. Sherry accepts a job offered by her mother’s high school boyfriend, now a graying widower, to work with his son, an angry young man who wants to believe he is satisfied working at CVS, then Walgreen’s, if only he could stop stealing candy. Her sister is trapped on the couch watching and endless loop of Top Gun, surrounded by possessions stolen from her former fiancée’s apartment (his Chihuahua’s are locked in the basement).
Kim Rosenstock is well known for her work on the Fox show “New Girl” and conceived and co-wrote the musical Fly By Night. She has worked on commissions for Dallas Theater Center, Roundabout Theatre Company, Oregon Shakespeare Festival and Ars Nova, where she was the 2011 Playwright-in-Residence. She is a graduate of Amherst College and holds an MFA in playwriting from Yale School of Drama. http://www.playwrightshorizons.org/shows/plays/fly-night-new-musical/playwright, 3/7/2015 7:15:40 PM.
Tigers Be Still’s original Roundabout Underground production was nominated for an Outer Critics Circle Award. Successful productions have been mounted in New York, Los Angeles, Chicago, Boston and San Francisco.
Production requirements are all feasible, but challenging for small theatrical companies. The cast is 4 (2m, 2F) with characters aged 18, 24, 29, and 50. There are no ethnic limitations, but there are two biological families (sisters, and father and son). The absurd nature of the play’s conceits will allow leeway for simple or abstract representations of the multiple settings: living room with functional staircase to 2nd floor, dining room, principal’s office, outdoors at night, a large shoe closet. The play is divided in to 22 scenes without an assigned act break. The New York production running time was 1 hour 35 minutes (The New York Times, 2010). All props (numerous) and costumes are contemporary. There is sporadic vulgarity as conflicts arise (including several uses of “fuck” and 1 “cocksucker”). Royalties are $100 per performance with additional fees for the use of specific popular music.
My recommendations are strong. The playwright female and American. The setting is any smaller city large enough to have a zoo (Peoria? Brookfield? Birmingham? Phoenix?) and NOT NEW YORK!!!! The central stories of young people trapped in the nest resonate across the country regardless of locale. The broad humor is sure to entertain, and all the journeys’ ends surprise and satisfy. Push hard get your board to take a pill on the language and you will have a winner on your hands.
Available for lending from Illinois State University